|
HOME •
|
publications • ICON • Volume 4 (1998) |
|
||||||||||||||
CONTENTS:
| Editorial |
1
|
|
| The Contributors |
5
|
|
| Notes for Contributors |
7
|
|
| Trevor Pinch and Frank Trocco The Social Construction of the Early Electronic Music Synthesizer |
9
|
|
| Wolfgang Koenig Funicular versus Suspension Railways: Swiss Mountain Railway Engineers in Conflict with a Foreign Competing Technology, 1900-1940 |
57
|
|
| Hellmut Janetschek Machine Drawing in the Habsburg Patrimonial Lands: 1780-1850 |
66
|
|
| Peter Piasecki The Development of Graphic Representation of Brine Pumping Machines and Graduation Houses in the European Saltern Industry |
76
|
|
| Jonathan Coopersmith Pornography and Progress |
94
|
|
| Alvin C. Kibel Literary Responses to Technology: E. M. Forster's The Machine Stops |
126
|
|
| Lutz Engelskirchen Establishing History of Technology as an Academic Discipline in the Federal Republic of Germany after 1945 |
146
|
|
| Andreas Kahlow Section, Strain and Stress: The Anatomy of Construction from Leornardo to Modern Times |
157
|
|
| Maran Tompkins Boeing and the history of Industrial Engineering |
181
|
|
| Karel Zeithammer The Czech Steam Locomotive School |
196
|
|
| Gábor Palló Scientist Migration from Hungary |
210
|
|
| Ryoichi Koda Publications in the History of Technology by Japanese Authors, 1993-1995 |
220
|
|
| Reviews |
||
|
227
|
|
|
229
|
|
|
231
|
|
|
232
|
|
|
233
|
|
|
|